All actors look for them-the defining moments 
When what a character does is what he is. 
The script may say, He goes to the door 
And exits or She goes out the door stage left. 
But you see your fingers touching the doorknob, 
Closing around it, turning it 
As if by themselves. The latch slides 
Out of the strike-plate, the door swings on its hinges, 
And you're about to take that step 
Over the threshold into a different light. 
For the audience, you may simply be 
Disappearing from the scene, yet in those few seconds 
You can reach for the knob as the last object on earth 
You wanted to touch. Or you can take it 
Warmly like the hand your father offered 
Once in forgiveness and afterward 
Kept to himself. 
Or you can stand there briefly, as bewildered 
As by the door of a walk-in time-lock safe, 
Stand there and stare 
At the whole concept of shutness, like a rat 
Whose maze has been rebaffled overnight, 
Stand still and quiver, unable to turn 
Around or go left or right. 
Or you can grasp it with a sly, soundless discretion, 
Open it inch by inch, testing each fraction 
Of torque on the spindles, on tiptoe 
Slip yourself through the upright slot 
And press the lock-stile silently 
Back into its frame. 
Or you can use your shoulder 
Or the hard heel of your shoe 
And a leg-thrust to break it open. 
Or you can approach the door as if accustomed 
To having all barriers open by themselves. 
You can wrench aside 
This unauthorized interruption of your progress 
And then leave it ajar 
For others to do with as they may see fit. 
Or you can stand at ease 
And give the impression you can see through 
This door or any door and have no need 
To take your physical self to the other side. 
Or you can turn the knob as if at last 
Nothing could please you more, your body language 
Filled with expectations of joy at where you're going, 
Holding yourself momentarily in the posture 
Of an awestruck pilgrim at the gate-though you know 
You'll only be stepping out against the scrim 
Or a wobbly flat daubed with a landscape, 
A scribble of leaves, a hint of flowers, 
The bare suggestion of a garden.
Subscribe to:
Post Comments (Atom)
घरेलू स्त्री / ममता व्यास
जिन्दगी को ही कविता माना उसने जब जैसी, जिस रूप में मिली खूब जतन से पढ़ा, सुना और गुना... वो नहीं जानती तुम्हारी कविताओं के नियम लेकिन उ...
- 
चाँदनी की पाँच परतें, हर परत अज्ञात है। एक जल में एक थल में, एक नीलाकाश में। एक आँखों में तुम्हारे झिलमिलाती, एक मेरे बन रहे विश्वास...
- 
Chôl Chôl Chôl Urddhô gôgône baje madôl Nimne utôla dhôrôni tôl Ôrun prater tôrun dôl Chôlre Chôlre Chôl Chôl Chôl Chôl.. Ushar dua...
- 
All about the country, From earliest teens, Dark unmarried mothers, Fair game for lechers — Bosses and station hands, And in town and city...
 
No comments:
Post a Comment